1. The Essentials

๐Ÿ“ธ Camera Basics

Any camera can work โ€” a smartphone, a DSLR, or a mirrorless. The key is learning how to control it.

Manual controls matter โ€” understanding shutter speed, aperture, and ISO gives you creative freedom.

Glass over body โ€” a good lens has more impact on image quality than an expensive camera.

Start simple โ€” one camera, one prime lens (like 35mm or 50mm). Less gear means more learning.

๐Ÿ“ท DSLR vs Mirrorless Cameras

DSLR cameras are a bit bigger and use a mirror inside to show you the scene through an optical viewfinder โ€” youโ€™re seeing exactly whatโ€™s in front of you, not what the final image will look like. They offer a more traditional shooting experience.

Mirrorless cameras are smaller and lighter because they donโ€™t have a mirror. What you see on the screen (or electronic viewfinder) is a live preview of your final image โ€” including exposure, color, and depth of field. Theyโ€™re good for both photos and videos.

๐Ÿ”Ž Prime vs Zoom Lenses

Prime lenses have a fixed focal length (like 35mm or 50mm) and can’t zoom in or out. You “zoom” by physically moving closer or further from your subject.

Zoom lenses cover a range of focal lengths (like 24-70mm or 70-200mm), letting you adjust your composition without changing position.

Key differences:

  • Prime lenses: Usually have wider maximum apertures (f/1.4โ€“f/2.8), better optical quality, are smaller/lighter, and often cheaper.
  • Zoom lenses: Offer more flexibility and convenience, especially when you can’t physically move closer to your subject.

๐Ÿ’ก A 50mm prime lens (often called a nifty fifty) is an affordable, versatile first lens that teaches you to think about composition instead of relying on zoom.


2. Understanding Light

๐ŸŒค๏ธ The Exposure Triangle

To capture great images, it’s essential to understand the Exposure Triangle: shutter speed, aperture, and ISO. These three elements work together to balance the light in your photos. Mastering them allows you to confidently control your camera settings and achieve the desired effect.

โฑ๏ธ Shutter Speed: Controlling Motion

Shutter speed determines how motion is captured:

  • Fast shutter speed: Freezes action, ideal for sports or fast-moving subjects.
  • Slow shutter speed: Creates motion blur, conveying a sense of movement, useful for creative effects like flowing water or nighttime traffic.

๐Ÿ”˜ Aperture: Depth and Light

Aperture controls the amount of light entering the lens and significantly impacts Depth of Field:

  • Wide aperture (low f-number like f/1.8): Results in a shallow DoF, perfect for portraits or close-up shots.
  • Narrow aperture (high f-number like f/11): Creates a deep DoF, suitable for landscapes or group photography where more of the scene needs to be in focus.

๐Ÿ’ก Use Aperture Priority mode (A/Av) to control depth of field, while letting the camera automatically adjust other settings.

๐Ÿ”ฆ ISO: Sensitivity and Noise

ISO adjusts your camera sensor’s sensitivity to light, impacting both exposure and image quality:

  • Low ISO (e.g. ISO 100): Produces clean, noise-free images and is best used in bright conditions.
  • High ISO (e.g. ISO 3200 or higher): Allows photography in low-light conditions but introduces digital noise or grain.

๐Ÿ’ก Always select the lowest possible ISO setting that still achieves correct exposure.
๐Ÿ’ก Don’t hesitate to use higher ISO settings if needed โ€” a slightly noisy yet sharp image is preferable to a blurred, noise-free photo.


3. Key Concepts

๐Ÿ“ Depth of Field: The Focus Zone

Depth of field (DoF) is simply how much of your photo is in sharp focus from front to back.

โ€” Shallow depth of field, only a small slice of the image is in focus.

โ€” Deep depth of field, most or all of the image is in focus.

Three main factors affect depth of field:

  1. Aperture size: Wider apertures (lower f-numbers like f/1.8) create shallower DoF; narrower apertures (higher f-numbers like f/11) create deeper DoF.
  2. Distance to subject: The closer you are to your subject, the shallower your DoF.
  3. Focal length: Longer focal lengths (telephoto lenses) create shallower DoF than wide-angle lenses.

๐Ÿง  Controlling depth of field helps direct attention to your subject and create the mood you want. Portrait and product photographers often want shallow DoF to isolate subjects, while landscape photographers typically want deep DoF to show everything clearly.

๐ŸŒธ Bokeh: The Art of Beautiful Blur

Bokeh refers to the aesthetic quality of the out-of-focus areas in an image โ€” essentially, how good the blur looks.

โ€” A good Bokeh is smooth, creamy, and pleasing to the eye.

Bokeh is most noticeable in:

  • Background points of light (like distant streetlights or sunlight through leaves).
  • Areas with high contrast.
  • Highlights behind your subject.

Fast lenses with wide apertures (f/1.4โ€“f/2.8) typically produce the most pronounced Bokeh effect. Each lens has its own Bokeh “signature” based on its design and aperture blade shape.

๐Ÿง  Beautiful Bokeh can transform an ordinary portrait into something magical, adding a dreamy, professional quality to your images.

๐Ÿ“Š Exposure: Balancing Light

Exposure is how bright or dark your photo is. Getting the right exposure means capturing the optimal amount of light for your scene:

โ€” Different exposures โ€” underexposed, proper exposure, overexposed.

Your camera measures exposure in “stops” of light, where each stop represents doubling or halving the amount of light. The histogram (explained later) is your best tool for evaluating exposure accurately.

๐Ÿง  Proper exposure is the foundation of a technically good photograph. While you can adjust exposure somewhat in editing, capturing the right exposure in-camera gives you the best image quality and most flexibility later.

๐Ÿ›‘ Understanding F-Stops & the Doubling Rule

In photography, f-stops (or exposure stops) are a way of measuring how much light you let into the camera. Each full stop of change in your cameraโ€™s exposure settings doubles or halves the amount of light hitting the sensor. This rule applies to aperture, shutter speed, and ISO.

๐Ÿ”˜ Aperture: F-Stops and Depth of Field

Aperture is measured in f-stops, such as f/1.4, f/2, f/2.8, f/4, f/5.6, f/8, f/11, f/16, and so on.
Each full stop change halves or doubles the light:

  • Moving from f/2.8 to f/4 halves the light
  • Moving from f/4 to f/2.8 doubles the light

๐Ÿ“ A lower f-number means a wider aperture, more light, and a shallower depth of field. A higher f-number means a narrower aperture, less light, and a deeper depth of field.

โฑ๏ธ Shutter Speed: Measured in Fractions of a Second

Shutter speed follows the same doubling rule. For example:

  • 1/125s lets in twice as much light as 1/250s
  • 1/500s lets in half as much light as 1/250s

Each step up or down in shutter speed is a full stop.

๐Ÿ”ฆ ISO: Digital Sensitivity

ISO is also based on a doubling scale:

  • ISO 100 โ†’ ISO 200 โ†’ ISO 400 โ†’ ISO 800 โ†’ ISO 1600, and so on

Each step up doubles the sensorโ€™s sensitivity to light. So:

  • ISO 200 is one stop brighter than ISO 100
  • ISO 400 is two stops brighter than ISO 100

๐Ÿ”„ Compression: Spatial Relationships

Compression refers to how different lenses affect the perceived distance between objects in your frame โ€” essentially, how “flat” or “deep” a photo feels.

โ€” Different lenses โ€” wide angle, standard, telephoto.

๐Ÿ“ท Wide-Angle Lenses

  • Expand space in depth
  • Make objects appear farther apart
  • Can distort facial features in close-ups (e.g. large nose, small ears)

๐Ÿ”ญ Telephoto Lenses

  • Compress space in depth
  • Make background elements appear closer to your subject
  • More flattering for portraits, with natural-looking facial proportions

๐Ÿง  Understanding lens compression helps you make intentional creative decisions. Use it to:

  • Create drama or intimacy in portraits
  • Show scale and distance in landscapes
  • Control how background elements relate to your subject

4. Camera Controls: Making Technical Decisions

โš™๏ธ Choosing the Right Exposure Mode

  • Aperture Priority (A/Av): Ideal for portraits, food photography, landscapes, and low-light scenarios. You set the aperture to manage depth of field; your camera adjusts shutter speed.
  • Shutter Priority (S/Tv): Perfect for action photography, such as sports or wildlife. You select shutter speed to control motion capture; your camera sets the aperture accordingly.
  • Manual Mode (M): Best for complete creative control, tricky lighting conditions, night photography, or when deepening your understanding of exposure. You control shutter speed, aperture, and ISO.

๐Ÿ’ก For fast-changing conditions, Aperture Priority combined with exposure compensation (+/-) offers both flexibility and control.

๐Ÿ“Š Metering Modes: How Cameras Measure Light

ModeWhat It DoesBest For
Matrix / EvaluativeAnalyzes the entire scene evenlyMost situations
Center-weightedPrioritizes the center of the framePortraits or centered subjects
SpotMeasures light in a small focus pointHigh-contrast scenes (e.g. concerts, backlighting)

๐Ÿ’ก Use exposure compensation to fix bad metering.
๐Ÿ’ก Use AE-L to lock exposure when recomposing.

๐Ÿ“‰ The Histogram: Your Photo’s Truth Detector

The histogram is a graph that shows how brightness is distributed across your photo. It helps you understand exposure without relying on your camera’s screen, which can be misleading in bright or dark conditions.

  • Shadows are on the left, midtones in the middle, highlights on the right.
  • A well-balanced histogram spreads across the graph.

โ€” Histogram comparison โ€” underexposed, proper exposure, overexposed.

โš ๏ธ Watch for clipping:

  • Spikes cut off on the left mean clipped shadows (lost detail in darks).
  • Spikes cut off on the right mean blown highlights (lost detail in brights).

๐ŸŽฏ ETTR (Expose To The Right): Intentionally expose a little brighter without clipping highlights. This gives cleaner shadows and more data to work with in editing.

๐Ÿ’ก If your camera supports it, turn on the histogram in live view to adjust exposure in real-time while composing your shot.


5. Technical Concepts: Understanding Your Equipment

๐Ÿ”Ž Focal Length: More Than Just Zoom

Focal length, measured in millimeters (mm), indicates the distance between the lensโ€™s optical center and the camera sensor. It influences how your subject and the surrounding space appear:

  • Wide-angle lenses (e.g. 24mm) exaggerate space, making scenes feel expansive.
  • Telephoto lenses (85mm and above) compress space, creating a flattering effect on faces and making the background appear closer to your subject.

๐Ÿ’ก Try photographing the same subject at different focal lengths to see how dramatically it changes the composition and mood.

๐Ÿ“ Sensor Size and Its Impact

Sensor size influences both your field of view and depth of field:

Field of View: When people talk about focal lengths like 50mm or 85mm, theyโ€™re using full-frame cameras as the standard โ€” these have sensors the same size as classic 35mm film.
But if your camera has a smaller sensor (like an APS-C), the image will look more zoomed in โ€” even with the same lens.

๐Ÿ“ For example, a 50mm lens on an APS-C camera with a 1.5x crop factor gives you a field of view similar to a 75mm lens on full-frame. Thatโ€™s because the smaller sensor captures a narrower portion of the image โ€” effectively cropping it in.

โ€” Crop factor = Full-frame diagonal / Sensor diagonal

Depth of Field (DoF): With the same framing and aperture settings:

  • A smaller sensor produces a deeper DoF, meaning more of the image appears in focus.
  • A larger sensor (like full-frame) results in a shallower DoF, ideal for creating soft, blurred backgrounds.

This difference happens because achieving similar framing on smaller sensors requires either:

  1. Using a shorter focal length, which increases DoF.
  2. Moving farther from your subject, which also increases DoF.

๐Ÿ’ก For soft, dreamy backgrounds, full-frame sensors make it easier to achieve a shallow depth of field.
๐Ÿ’ก Smaller sensors naturally provide greater depth of field at wide apertures, keeping more of your image sharp without needing to stop down to f/11 or f/16.

This is also why smartphones often simulate background blur with software โ€” their small sensors naturally produce deep depth of field.


6. Shaping the Shot: Composition, Light & Mood

Thoughtful composition transforms a good photo into an exceptional one. Here are key techniques to elevate your photography:

๐ŸŸฉ Rule of Thirds

Position your subject at grid intersections or along grid lines to create visually balanced and engaging images.

โžฟ Leading Lines

Incorporate lines within your scene to naturally guide the viewer’s eye towards the subject.

โš–๏ธ Symmetry & Balance

Achieve visual harmony by balancing elements in your frame, utilizing symmetry and negative space to create calm and appealing photos.

๐Ÿ–ผ๏ธ Framing

Use elements like windows, doorways, or trees in the foreground to frame your subject. This adds depth and context to your shot.

๐ŸŒซ๏ธ Depth Through Layers

Combine a clear foreground, subject, and background to create a sense of depth, making your 2D photos appear three-dimensional.

๐ŸŽฏ Focus Techniques

  • Zone Focusing: Choose a specific focus distance and a small aperture to create a sharp “zone” โ€” ideal for street photography or fast-paced situations.
  • Portrait Focus: ๐ŸŽฏ Always focus on the subjectโ€™s closest (or “strong”) eye โ€” it’s where viewers naturally look first. A sharp eye gives your portrait emotional impact and visual clarity.
  • Street Photography: ๐Ÿšถโ€โ™‚๏ธ Keep camera ready, zone focused, chest level.

๐ŸŒ…๏ธ Golden Hour for Composition

The soft, directional light just after sunrise and before sunset not only enhances color and mood but also emphasizes shapes, textures, and depth โ€” making it ideal for strong composition.

โšซ Black & White

Black and white photography strips away color distractions and highlights the structure, contrast, and textures in your image โ€” ideal for emphasizing relief and form in a scene.

7. Final Thoughts

The magic of photography isnโ€™t in perfect settings โ€” itโ€™s in those little moments that make you feel something. Freezing a laugh, catching the light just right, telling a story without saying a word.

Know the rules, sure โ€” but donโ€™t be afraid to break them. Chase the feeling, not the pixels.